Thanks for submitting your work to Barrelhouse!
Before you proceed, a note about open and closed categories. If you don't see the category that fits your work, we're not open for that thing. We keep submission periods pretty short because we're hoping that helps make our response times shorter, as well. The best way to track submission periods is probably to follow us on Twitter or like us on Facebook or check back later.
Here are some guidelines:
No previously published work.
Please submit only one piece at a time. Except for poetry. You can submit up to five poems. Everybody else — just one!
We pay $50 to each contributor to our print issues, as well as two contributor copies.
So far, online contributors are paid primarily in karma. All contributors are also promised free beer, if we ever run into you in the flesh. If you don’t believe us about the free beer, ask around a little bit. We are frequently tipsy and imprudently generous.We accept simultaneous submissions, on the understanding that you’ll tell us if you place the work elsewhere.
It will probably take us two to three months to get back to you. We try to do that faster, but there are few of us and many of you.
Next, the editor who thought of the original stupid idea will review your submission for literary merit and probably also how much it cracks her/him up, and she/he will decide whether to accept or reject your interpretation of the original stupid idea. If accepted, we'll run the piece on our blog. Thanks for playing!
One note: We shouldn't have to say this, but if you submit your "regular" fiction, nonfiction, poetry, or whatever using this category, because we're closed for fiction or poetry or nonfiction, but you really want us to read your work anyway, we will reject your work without reading it and will probably make fun of you the next time we all have a few beers together. Thanks!
Ends on 2/14/2016
"Shot through the heart.
And you're to blame.
Darling, you give love
a bad name..."
Remember that time your prom date picked you up in his 1970 Chevy Nova and brought you to his house to meet his mom and you posed in your baby blue taffeta and terrible perm in front of the kitchen mural that was painted to look like the Rocky Mountains only this was western Connecticut?
Remember how the shutter clicked and clicked and then she squealed at you to follow her into the back room because she had an “awesome idea” and you did because you were fifteen and also slightly stunned by perm chemicals and the overhead fluorescence?
And remember then how she made you take off your prom dress and put on her wedding dress to stand next to her son, your date?
“Stand a little to the left, honey. Aww, put your arm around him! Give her a big squeeze! Oh, this is the happiest day of my life!”
Yeah….that wasn’t weird at all.
To celebrate Valentine’s Day, Barrelhouse Blog wants stories, essays and poems of real or imagined Weird
Love, Bad Love, Awkward Love, Dress Up in Your Date’s Mother’s Wedding Dress
Make us cringe, make us squirm, make us laugh. Make us pity your poor prom date.
5 poems or 3K words.
No previously published pieces, please and thank you.
Ends in 1 day, 5 hours
Seeking proposals for craft workshops or panel discussions for "Conversations and Connections: Practical Advice on Writing," our awesome one-day writer's conference in Arlington, VA in April 23, 2016.
Background on the Conference:
Conversations and Connections: Practical Advice on Writing is a one-day writer's conference organized by Barrelhouse Magazine. The conference is held in DC in the Spring and Pittsburgh in the Fall, and has attracted writers, editors, and publishing professionals for more than eight years. This year's DC conference will be held at the George Mason University campus in Arlington, VA. There's more information over at the conference website.
About Craft Workshops and Panel Discussions:
- Each conference includes three breakout sessions of one hour each, during which we hold workshops and panel discussions on issues of craft, publishing, community, and just about anything else we think might be of interest and value to the 150 writers in attendance.
- Each session includes at least one workshop or panel discussion about poetry, fiction, nonfiction, and publishing, respectively.
- Craft workshops are typically led by one person, and examine an issue relating to the craft of writing in particular detail. These are best when they're specific and hands-on, and they're often geared to more experienced writers.
- Panel discussions focus around a particular topic of interest to writers, and usually include between 3 and 5 writers of various backgrounds, including a moderator who will lead the discussion.
Our primary determination about whether to run a particular panel or workshop is whether this session will be useful to our participants. We like to say that people should leave each session with information they can use immediately. We're looking for a variety of topics relating to all areas of writing and publishing, but that one thing -- does this sound like a workshop/discussion that will be useful for participants? -- will be the key question we ask in evaluating whether to move forward with a proposal or not.
On panels and panelists:
If you're submitting a panel discussion idea, and you know some people who would make great panelists, give us those names. Only people you're pretty sure you can connect with, and who can be there, though -- we're not looking for a name-dropping exercise and it would be a bummer if you gave us four people in a proposal but were unable to actually connect with them, or if they lived in Australia, or were on tour with AC/DC in April. So the long story long is: tell us if you have a pretty good idea of people you can get on this panel, but if you have a great idea and need some help filling up the panel, we can help.
We really want the conference to represent a diverse range of voices, backgrounds, experiences, and all things. Proposals that would help us do this are very welcome.
The bad news: no money
We can't pay for you to travel to the conference, and we probably can't put you up for the night either. We wish we could offer a more attractive reward for your time and smarts and efforts, but this is a very cheap conference and we do not have money to pay panelists. Maybe some day. If that sounds lame to you, you should definitely not submit a proposal.
In order to be totally transparent, here's the deal with the money: registration is $70, and half of that goes directly back into participating literary magazines and small presses. Part of the other half goes to conference organizing expenses, and the rest goes to Barrelhouse. "The rest" is part of the reason we're able to pay writers and never even think about charging submission fees, so we feel pretty okay about that.
What we can offer:
For panelists with books, we'll have a bookseller on site, so you can sell your books to a captive audience who hopefully will have just seen and heard how smart/captivating/funny you are, and will be motivated to buy everything with your name on it. We'll promote the hell out of you and your work and your panel in the months/weeks/days leading up to the conference.
All panelists and workshop leaders get free attendance to the conference and all related conference stuff, including Boxed Wine Happy hour. We know that's not much, we can confidently say we'll offer a good time and a great day hanging with other writers, editors, and publishers inside a lovely little writer-bubble.
What Happens Next:
We'll review each proposal and will get back to you as soon as possible (probably pretty quickly -- we need to get this thing booked).
Arlington, VA on April 23, 2016:
We probably don't have to say this, but remember that if you submit this, we're going to assume you can get yourself to Virginia on April 23, 2016.